I met Kudo in Shinjuku at 9pm and went over to Golden Gai, an area of back alleys lined with bars – tiny bars – bar after bar after bar! We hit about 15 places where I performed for 5 minutes on the Birdmachine and then left. About two hours in total. The responses varied, mostly enthusiastic, but I actually only hit my peak once. Wow, what a process... and what a deeply Japanese form of social, creative outreach. It's called Nagashi – "flow" – and used to be quite popular. Hijikata, the father of Butoh, got his start this way in the 50s, and so did Kudo in the 90s. At one place, a guy gave me 1000 yen! Of course, I politely protested... and then demurred. Sweet. I hadn't expected that. Unfortunately, I have no video of any of this, just photos of the locales and some people, but that's ok. It's a project, like all the other projects here, to be continued on the next jaunt.
Hijikata, the father of Butoh and Kudo's lineage
Goodbye Tokyo
and goodbye Ari Gato!
Ah, ha - Important research! Thank you, Michael. Now, we know where Ian Anderson got his stance. Look at the picture of Hijikata--standing on one foot, playing his flute!
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